tapestry

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Image features: Mantle decorated with series of broad and narrow horizontal bands in reds, pale tan, cream, pale yellow, blues, silver. A broad band across the middle is made up of ten narrow bands, with adjacent rectangles containing Inca geometric patterns and some adapted Tiahuanaco eye forms, separated throughout and edged top and bottom with variety of guard stripes. Above and below this broad central band are slightly narrower pink bands, edged top and bottom with small stepped scallops and filled with close-set mermaids and bird, fish, animal and floral motives, seemingly scattered, but actually set symmetrically on either side of two central vases set one above the other in each band and filled with flowers and fruit. Two narrow bands with attendant varied guard stripes border the mantle at top and bottom; the inner red band is similar to the bands in the center of the mantle; the outer cream-grounded band contains a series of bird, fish, and floral motives symmetrically spaced on either side of the central axis of the mantle; pink guard stripes terminate the mantle at top and bottom. Please scroll down to read the blog post about this object.
Andean Women’s Mantle
This post was originally published on December 20th, 2012. This beautiful cloth is a woman’s shoulder mantle, called a lliclla in the Quechua language of the Inca Empire, and was made during the colonial period of Peru. A perfect blend of the cross-cultural elements of the 16th- and 17th-century era of global trade, the Chinese...
Square of woven tapestry with frontal face wearing turban and ear spools.
About Face: The Andean frontal gaze
Author: Christine Giuntini In celebration of the third annual New York Textile Month, members of the Textile Society of America will author Object of the Day for the month of September. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination...
Image features: Fragment of a mantle with close-set horizontal rows of stylized warriors' heads, each with different headdress and color combinations. In the top row, upright front-facing heads alternate with upside down heads in profile. In the next row, upright heads in profile alternate with upside down front-facing heads. Rich muted shades of brown, gold, tan, blue, green, purple, and white on a rust-red ground. Please scroll down to read the blog post about this object.
Portrait Heads
The production of this type of cloth was confined to a brief period of great artistic achievement in the Nasca region. The portrait heads appear to be of human rather than deity figures, and seem to represent individuals of varied status and perhaps ethnicity, signaled by the wearing of certain accoutrements. Features of the figures...
A Sense of Place
Author: Patricia Malarcher September is New York Textile Month! In celebration, members of the Textile Society of America will author Object of the Day for the month. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles...
Reflections on Reflections
Author: Kathleen Magnan September is New York Textile Month! In celebration, members of the Textile Society of America will author Object of the Day for the month. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles...
Motley Birds
Author: Desiree Koslin September is New York Textile Month! In celebration, members of the Textile Society of America will author Object of the Day for the month. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles...
Facial Features
At first glance, this design drawing for the tapestry Our Mountains by Trude Guermonprez (American, b. Germany, 1910–1976) may appear to be a simple mountain landscape. A closer look reveals that the cool blue-green peaks and valleys are actually formed by three reclining faces in profile. In the background, the face of Guermonprez’s husband John...
Kashmir to Paisley
In English, the common droplet-shaped motif found on Kashmir shawls is named after the Scottish town Paisley, which became famous for its imitation shawls in the first half of the 19th century. Locally, it is called boteh  (Persian: بوته ; meaning “shrub”) or buta in the Indian subcontinent. Elsewhere on Object of the Day, Deputy Curatorial Director and Head of Textiles...
Lydia’s Houses
This textile study sample was woven by Lydia van Gelder in preparation for a larger wall hanging, “Houses on a Street” that she created for the 1939 Golden Gate International Exposition in San Francisco. Serving as a diminutive sample for the larger piece, it is tapestry woven – double interlocked with extended dovetailing for shading....