set design

A View of “A View from the Bridge”
And this view, regardless of perspective, intends to invite the viewer into a daunting realm of judgmental voyeurism . . . Set designer David Gallo’s drawing for the 1998 revival of Arthur Miller’s A View From the Bridge was used to make adaptations to the theatrical set when the production transferred from the Roundabout Theatre...
Large charcoal drawing of the stage for "King Lear" scene two. The stage itself is black and the backdrop is white and grey. At left, a tall, straight-backed chair. In center, extending from backdrop to front of stage, is a long, flat bed.
Wilson Lights the Lights
If anyone has come to know seminal avant-garde theatre director Robert Wilson, they will have witnessed the autodidact hard at work sketching. Whether backstage at a major European opera house or cramped into an economy-class plane seat—flying over the Alps to simulate the intensity of a Wagner aria—he always garners silence when drawing. When at...