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Left: Poster, Dylan, 1966; Designed by Milton Glaser (American, 1929–2020) for Columbia Records; Offset lithograph on paper; Gift of Richard Kusack, 2007-24-1; Right: Olivetti, 1977; Right: Milton Glaser (American, 1929–2020) for C. Olivetti & C. S.p.A; Offset lithograph on paper; Gift of Milton Glaser, 1979-42-6
Milton Glaser (1929–2020)
Milton Glaser (1929–2020) was a giant figure in the history of graphic design. Born in the Bronx to immigrants from Hungary, Glaser graduated in 1951 from The Cooper Union for the Advancement of Science and Art, where he and other students received full-tuition scholarships from the endowment established by Peter Cooper. Glaser also studied in...
Keith Godard (1938-2020)
Keith Godard was playful, funny, irreverent, and smart. Decked out in dapper bow ties and bright red shoes, he brought bubbles of joy to every occasion. He and Studio Works, the company he founded in 1986, contributed mightily to life in New York City. His works are preserved in many museum collections, including Cooper Hewitt,...
Image features th e poster “Centrale Bond 30.000 Transportarbeiders (Central Union 30,000 Transport Workers)”, showing a large figure composed of photomontage standing before two red figures with their backs to the viewer, all on yellow background; "CENTRALE BOND" in black in a curved line at top, the number 30,000 in white superimposed on the large figure, "TRANSPORTARBEIDERS"in black across the bottom. Please scroll down to read the blog post about this object.
The Wisdom of Crowds
This rare poster was created in 1930 Paul Schuitema (Dutch, 1897–1968). The poster came to Cooper Hewitt in 2019 as a gift from Merrill C. Berman, one of the world’s most influential collectors of modern graphic design and a longtime collaborator with our museum. With this recent gift, Schuitema’s poster is coming home to Cooper...
Image features a poaster with blue and yellow background. In the foreground, an image of a Philips Miniwatt Type E444 diode-tetrode radio value lamp, in shades or grey and brown. "MiNiWATT" is printed in red, while "PHILIPS RADIO" is rendered in solid black letters, outlined in white. Please scroll down to read the blog post about this object.
“i’s” or “eyes”
When legendary French graphic designer A.M. Cassandre was hired in 1931 to produce this poster for the Dutch light bulb and radio tube manufacturer Philips, he was at the high point of his career. Together with fellow poster designer Charles Lupton, Cassandre had founded the printing and publishing collective Alliance Graphique in Paris, France.[1] Cassandre...
Jennifer Morla: Experimental Typography
In celebration of the milestone 20th anniversary of the National Design Awards, this week’s Object of The Day posts honor National Design Award winners. What does “typography” mean to you? Does the word stir up contempt for Comic Sans and Papyrus, or does it conjure a death match between Times New Roman and Helvetica? For...
Image features a white candelabrum set against a dark background. The candles, although white, drip red, recalling blood. The title of the film advertised appears across the top of the poster. Please scroll down to read the blog post about this object.
Revolutionary Design: The Cuban Film Poster
In recognition of National Hispanic Heritage Month (September 15-October 15, 2019), this week’s Object Of The Day posts celebrate Latinx designers’ works in the collection.  This post is written by Maeve Coudrelle. The Cuban Revolution of 1959 brought major changes to the country’s cultural fabric. Less than three months after the new revolutionary state came...
Image features a black background with letter "S" outlined in blue, evoking a fluorescent light. A box of Orion light bulbs is in the foreground in the lower register of the poster, printed in blue, orange, and white. A light bulb hangs in the center of the upper register, with the word "Orion" printed across it, and printed in white and gold. Please scroll down to read the blog post about this object.
An Elusive “S”
Apart from several months spent at Iparművészeti Iskola, Budapest’s school of applied arts, József Bottlik[1] was a self-taught graphic designer. Bottlik began his career in 1919 and quickly established himself as a designer of eye-catching commercial product and film posters, including a celebrated 1927 design for Universal Film AG (UFA) for the film Metropolis.[2] Bottlik...
Image features illustration of Bauhaus-style urban buildings. Buildings rendered in black and white, against a blue background. An open balcony is colored red and yellow. Poster features text advertising the exhibition Bygge og Bolig Udstilling (Exhibition of Buildings and Homes) at the Forum. Lettering in black and white. Please scroll down to read the blog post about this object.
A Breakout Beginning
IB Andersen (Danish, 1907-1969) was barely out of school when he designed this poster to promote the 1929 exhibition of Buildings and Homes in Copenhagen, Denmark. The exhibition was a significant one, as it featured a built model of the “House of the Future,” as designed by Arne Jacobsen (Danish, 1902-71) and Flemming Lassen (Danish,...
Image features a color photo of two brides holding hands, and mouths open as though yelling. One woman with a thought bubble that reads: “Not what I had / in mind!” They are standing on a table covered with silver and china. Across the poster, in pink: “Is it worth being / Boring / for a Blender?” Lower margin: “GAY MARRIAGE / You might as well be straight.” Upper left: “Poster sponsored / in part by / HX FOR HER / NEW YORK CITY”. Upper right: “ANOTHER PUBLIC ART PROJECT BROUGHT TO YOU BY / DAM! [DYKE ACTION MACHINE] / dam@echonyc.com.
Gays Against Gay Marriage
In celebration of World Pride, June Object of the Day posts highlight LGBTQ+ designers and design in the collection. This post originally appeared on March 30, 2015. This provocative poster was designed in 1997, one year after the US Congress passed the Defense of Marriage Act. Known simply as “DOMA,” the Act barred same-sex married couples from being recognized by federal law. The poster is...