posters

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Image features a black background with letter "S" outlined in blue, evoking a fluorescent light. A box of Orion light bulbs is in the foreground in the lower register of the poster, printed in blue, orange, and white. A light bulb hangs in the center of the upper register, with the word "Orion" printed across it, and printed in white and gold. Please scroll down to read the blog post about this object.
An Elusive “S”
Apart from several months spent at Iparművészeti Iskola, Budapest’s school of applied arts, József Bottlik[1] was a self-taught graphic designer. Bottlik began his career in 1919 and quickly established himself as a designer of eye-catching commercial product and film posters, including a celebrated 1927 design for Universal Film AG (UFA) for the film Metropolis.[2] Bottlik...
Image features illustration of Bauhaus-style urban buildings. Buildings rendered in black and white, against a blue background. An open balcony is colored red and yellow. Poster features text advertising the exhibition Bygge og Bolig Udstilling (Exhibition of Buildings and Homes) at the Forum. Lettering in black and white. Please scroll down to read the blog post about this object.
A Breakout Beginning
IB Andersen (Danish, 1907-1969) was barely out of school when he designed this poster to promote the 1929 exhibition of Buildings and Homes in Copenhagen, Denmark. The exhibition was a significant one, as it featured a built model of the “House of the Future,” as designed by Arne Jacobsen (Danish, 1902-71) and Flemming Lassen (Danish,...
Image features a color photo of two brides holding hands, and mouths open as though yelling. One woman with a thought bubble that reads: “Not what I had / in mind!” They are standing on a table covered with silver and china. Across the poster, in pink: “Is it worth being / Boring / for a Blender?” Lower margin: “GAY MARRIAGE / You might as well be straight.” Upper left: “Poster sponsored / in part by / HX FOR HER / NEW YORK CITY”. Upper right: “ANOTHER PUBLIC ART PROJECT BROUGHT TO YOU BY / DAM! [DYKE ACTION MACHINE] / dam@echonyc.com.
Gays Against Gay Marriage
In celebration of World Pride, June Object of the Day posts highlight LGBTQ+ designers and design in the collection. This post originally appeared on March 30, 2015. This provocative poster was designed in 1997, one year after the US Congress passed the Defense of Marriage Act. Known simply as “DOMA,” the Act barred same-sex married couples from being recognized by federal law. The poster is...
Image features a cat standing on two feet on top of a sleeping dog below a grainy image of Saturn against a black background. Haunting feline eyes appear in the background. The central image is surrounded by white curving, bird-like forms on either side. White and black text appears against a blue background, surrounding the central image. Please scroll down to read the blog post about this object.
Reflections on a Cosmic Cat
As the San Francisco rock scene grew in the 1960s, posters were commissioned by the concert promoter Bill Graham for shows at popular venues such as the Fillmore Auditorium. David Singer produced more posters for Graham than any other artist, designing 75 posters from 1969 to 1990.[1] Although he had an unusual background for a...
Image features a car with bright headlights is shown driving across a bridge at night. Lights in the distance are reflected in the water. A light bulb is encircled in the upper right-hand corner, emphasizing the product the car is utilizing. At the bottom of the poster appears the brand name PHILIPS in large orange block letters with white dashes. Please scroll down to read the blog post about this object.
Illuminating the Road Ahead
When Louis C. Kalff was hired by Philips in 1925, the company was one of the largest producers of lightbulbs in the world. Kalff created a brand identity for the company, including the iconic logo. For this poster, Kalff illustrated a car whose piercing bright headlights illuminate the scene. The stylized arcs and angles reflect...
Image features a rock concert poster showing a face in profile, surrounded by pink, black, and grey streams of flowing, wavy hair. Please scroll down to read the blog post about this object.
Deliberately Disorienting
A pioneering example of psychedelic design, this work was one of the 56 posters that Wes Wilson produced between 1966 and 1968 for the Fillmore Auditorium in San Francisco. The posters were commissioned by the rock concert promoter Bill Graham, who gave Wilson free rein over his designs until disputes about money severed their connection....
Image features a poster depicting a triangle made up of colored blocks with a black circle at the top with atomic symbol; above: atoms for peace; lower margin: GENERAL DYNAMICS. Please scroll down to read the blog post about this object.
Looking Ahead in the Atomic Age
This blog post was originally published on August 4, 2014. The year is 1955, and Cold War tensions have begun to escalate. General Dynamics is a newly formed parent company overseeing eleven manufacturers, producing cutting edge technology for the defense of the United States. The company is capitalizing on the American policy of nuclear deterrence,...
Image features poster with the word Giselle printed in large text alongside a blurred photographic image of a ballerina in mid-spin. Please scroll down to read the blog post about this object.
A Harmony of Contrasts
Armin Hofmann (Swiss, b. 1920) is associated with a graphic design movement known as the Swiss Style, which originated in Switzerland in the 1940s and 50s. Also referred to as the International Typographic Style, the Swiss Style is characterized by a recognition of the importance of typography—especially sans-serif fonts—as an essential element of design. The...
Image features a rectangular poster whose surface is covered with with strips of color gradients and printers marks organized into various shapes. Please scroll down to read the blog post about this object.
Macro Micro Marks
To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. Graphic designer Fanette Mellier (French, b. 1977) has a contemporary practice that frequently highlights process in the printed medium.  Her stunning poster, Specimen, initially appears abstract.  Dominated by...