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Image features an upright, rectangular poster featuring a motif of a stylized cross in blue, black and orange. At the center, a kneeling man holds a bow and arrow. Decorative motifs with Dutch wording are In each of the four corners of the cross. A roundel with the words, Bestaans zerkerheid, is at the top of the composition; above this are the words: RADEN van ARBEID in blue and orange. Please scroll down to read the blog post about this object.
A Designer Takes Aim
In celebration of May Day—at a moment when the essential role so many workers play in our community is at the forefront of our minds—we are re-posting a modified version of this blog by Virginia McBride originally published November 8, 2015. Formerly a 2014 Peter Krueger curatorial intern, then a Curatorial Assistant, and Cataoguer in Cooper Hewitt’s...
Image features an upright, rectangular poster featuring a motif of a stylized cross in blue, black and orange. At the center, a kneeling man holds a bow and arrow. Decorative motifs with Dutch wording are In each of the four corners of the cross. A roundel with the words, Bestaans zerkerheid, is at the top of the composition; above this are the words: RADEN van ARBEID in blue and orange. Please scroll down to read the blog post about this object.
Designers Take Aim
Aim—pull—release! This archer draws back his bowstring and prepares to shoot. Peering into the distance, he points his arrow off the poster’s printed page. But designer Richard Roland Holst leaves no doubt about his target: a bullseye hovers just above his head, bearing the Dutch words for “Livelihood.” In this poster promoting the Labor Board...
The Left
This poster for an exhibition about the history of political posters features a screenprinted image of Ernesto “Che” Guevara, the Argentine revolutionary whose face became synonymous with leftist oppositional movements in the twentieth century. Variations of the poster were produced by directly spray-painting different messages and marks over Guevara’s portrait.   Ellen Lupton is Senior...