The identity of the sitter for this composition remains unknown. However, subtle details of the subject’s facial expression accentuate a sense of introspection and melancholy. Distinct contours of the jaw and cheek bones, lips, nose, and eyes were first drawn in graphite. Soft tones of cream and white paint (of varying consistencies and amounts) developed...

“It is, indeed, a tribute to the appeal of the sheer granite walls of Katahdin that Church should have made so many studies of this region alone.”[1] -Myron Avery, writer and Maine adventurer American landscape painter Frederic Edwin Church (American, 1826-1900) began visiting the region around Mt. Katahdin, Maine in 1852.  While Church is renowned for...