Textile, USA, 1949, designed by George Nelson (American, 1907–1986), manufactured by Schiffer Prints (a division of Mil-Arts Co.), founded 1945, Museum purchase from General Acquisitions Endowment Fund, 2015-19-3
Revitalizing An Industry
In the aftermath of World War II, a number of textile producers attempted to revitalize the industry by enlisting recognized personalities in art and architecture to design screen prints. “Perhaps the most outstanding name collection is Stimulus Fabrics produced by Schiffer Prints,” Alvin Lustig wrote in American Fabrics Magazine in 1951. “There was not a...
Study sample for "Houses on a Street," USA, 1939, tapestry woven cotton (double interlocked with extended dovetailing for shading), Gift of Lydia Van Gelder, 1996-47-2.
Lydia’s Houses
This textile study sample was woven by Lydia van Gelder in preparation for a larger wall hanging, “Houses on a Street” that she created for the 1939 Golden Gate International Exposition in San Francisco. Serving as a diminutive sample for the larger piece, it is tapestry woven – double interlocked with extended dovetailing for shading....
Textile, USA, 1957-58, Designed by Pablo Picasso (Spanish, 1881–1973), manufactured by Fuller Fabrics (founded 1933), Gift of Olga Berendsen, 1958-127-1
The Bullfight
In 1953, Dan Fuller, president of Fuller Fabrics, invited five of the twentieth century’s most distinguished artists—Pablo Picasso, Fernand Léger, Marc Chagall, Joan Miró, and Raoul Dufy—to collaborate on a line of textiles to be called the Modern Master Series. The concept was unique in that the artists were not commissioned to produce original patterns...
Meier 75
Personally, I am partial to Richard Meier’s approach to architecture. According to Meier, a building is an act of “willful artificiality;” a “man-made” spatial construct that functions as a receptacle for experiencing the world of nature. Meier’s white walls act as nature’s film screen capturing ever-changing patterns of reflected color and light. While Meier credits...