Keith Murray

Tapering cylindrical form with circular mouth, broad shoulder; body decorated with horizontal grooves; creamy yellow matte glaze.
A Modern Wedgwood Unadorned
This austere vase embodies nearly the exact opposite of Wedgwood’s well-known decorative aesthetic. Founded in 1759, the firm developed a sophisticated earthenware, often either black to imitate ancient Greek ceramics, or blue with relief decoration featuring neoclassical husks, swags of flowers and pastoral scenes. Early wares made of this material were cheaper than porcelain, but...