Hewitt sisters

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Cooper Hewitt Short Stories: A Tale of Two Weddings
On last month’s Short Story, curator Sarah Coffin paraded us through the Gilded Age decadence that led to a substantial gift of decorative arts to Cooper Hewitt’s collection from Annie Schermerhorn Kane. Bells for a Royal Wedding in London will ring in a few weeks. We hope you enjoy our short story on two beautiful...
Cooper Hewitt Short Stories: Designs for Jewelry
In last month’s Cooper Hewitt Short Story, we roamed the halls of the Cooper Union Museum for the Arts of Decoration in 1939, exploring past and present methods of collection display. This month, Julie Pastor, curatorial assistant at Cooper Hewitt, lavishes us with drawings of jewelry, many collected by the Hewitt Sisters, from the holdings...
Cooper Hewitt Short Stories: Hewitt Sisters Collect Wallcoverings
In last month’s Cooper Hewitt Short Story, we buttoned up with a rousing exploration of the history of the button as illustrated by Cooper Hewitt’s expansive collection. This month, we delve into the uniquely Cooper Hewitt collection of historical and contemporary wallcoverings. Greg Herringshaw, the museum’s curator of wallcoverings, outlines three key areas collected by...
Cooper Hewitt Short Stories: Button, Button, We’ve Got the Button(s)!
In last month’s Short Story, Emily Orr, Cooper Hewitt’s assistant curator of modern and contemporary design, wrote about the history of store window display.  In recognition of National Button Day on November 16, this month’s story celebrates the Cooper Hewitt collection of buttons. Margery Masinter, Trustee, Cooper Hewitt, Smithsonian Design Museum Sue Shutte, Historian at...
Cooper Hewitt Short Stories: Spotlight on Theater
In last month’s Short Story, Ringwood Historian Sue Shutte cleverly drew parallels between the collections of Ringwood Manor and Cooper Hewitt, giving insight to the Hewitt family’s personal style. In this month’s short story—or more of a collection spotlight—we look at more passions of Sarah and Eleanor and how they emanate through Cooper Hewitt’s collection:...
Horizontal rectangle. Architectural ruins, open to the sky, used as setting for the Nativity group, seen near center, middleground. Rays of light rise from the figure of the Child. Shepherd kneels in foreground. Woman with bundle on her head, at right.
Cooper Hewitt Short Stories: Collecting Before the Alarm Clock Rings
This month in Cooper Hewitt Short Stories, Caitlin Condell, Associate Curator and Head of Drawings, Prints & Graphic Design at Cooper Hewitt, takes us to Italy to discuss one of the most significant contributions of European drawings in the early days of Cooper Hewitt's collection: the addition of the Giovanni Piancastelli collection.
Cooper Hewitt Short Stories: The Fantastic Beasts of Robert Winthrop Chanler
In the last Cooper Hewitt Short Story, we tweeted about birdcages and their passionate collector, Alexander Drake. April’s Short Story—by Stephen Van Dyk, Head Librarian at Cooper Hewitt, Smithsonian Design Library—confronts birds and beasts not confined to cages, but rather fantastical interiors and the illustrated pages of library books. Margery Masinter, Trustee, Cooper Hewitt, Smithsonian...
Cooper Hewitt Short Stories: Alexander Drake
Last month in Cooper Hewitt Short Stories, Dr. Gail Davidson wrote about how American drawings by Winslow Homer, Frederic Church, and Thomas Moran entered the museum’s collection. February’s Short Story twitters romance! A passionate collector pursued beautiful homes for birds. Enamored, Sarah and Eleanor Hewitt bought his birdcages for their museum. Chirp! #HewittSisters Margery Masinter,...
A Question About Two Turkeys
“Can you help us in identifying where our birds were made?”[1] This inquiry is one of numerous others regarding two fowl from a 1968 letter from Catherine Lynn Frangiamore, then an assistant in the Department of Decorative Arts (now Product Design and Decorative Arts) at Cooper Hewitt, to Lino Sandonnini, then director of the Museo...