Confrontational, playful, and even cartoonish are some of the adjectives that describe Manfred Bischoff’s style. Born in the Black Forest town of Schömberg, Bischoff began his training as a goldsmith’s apprentice and went on to study with Reinhold Reiling and Hermann Junger, both trailblazers in the modern art jewelry movement in Germany. Bischoff’s style was...
To celebrate the opening of Iridescence, on view through March 24, 2019, Object of the Day this week will feature iridescent objects in the collection. This stunningly crafted fruit knife combines exquisite artistry and strong Japanese influence to elevate the everyday dining experience into an art form. As part of a substantial dessert service of...
To celebrate the opening of Iridescence, on view through March 24, 2019, Object of the Day this week will feature iridescent objects in the collection. William Harper’s hand-crafted jewelry includes brooches, pendants, and necklaces, each telling a story of their own. Harper specializes in cloisonné enameling, an ancient decorative technique that has remained virtually unchanged...
Small enough to hold in one’s palm and ornate enough to catch the eye of a passerby, this snuffbox is a combination of exquisite craftsmanship and subtle status symbol, as such containers often were in 18th-century Europe. The box is attributed to Johann Martin Heinrici, a Swiss artisan who worked at the famed Meissen porcelain...
Author: Chris Martens September is New York Textile Month! In celebration, members of the Textile Society of America will author Object of the Day for the month. A non-profit professional organization of scholars, educators, and artists in the field of textiles, TSA provides an international forum for the exchange and dissemination of information about textiles...
Is it possible for a chair to be organic, imaginative, and even a little bit sexy? Perhaps, if it is one of the works by American designer Wendell Castle. Castle’s Triad chair is a piece composed of curvilinear sweeps of gilt fiberglass that make a strangely inviting seat. At the risk of pushing the pun...
Capitalizing on growing nationalism after Italy’s unification in 1870, the Castellani jewelry company coined the term “Italian archeological jewelry.” Their copies of ancient Etruscan, Greek, and Roman works appealed to erudite consumers in Europe and America, accommodating nineteenth-century tastes for revival styles. Although based in Rome, the company promoted their designs abroad and won acclaim at...
The Cooper Hewitt’s American Chatelaine (ca. 1860) may seem like a completely foreign object at first glance but upon further study, it is more familiar than it might seem. If we look at the history of chatelaines we see that they are part of an archetype of tools to carry on one’s person that is...
Designated as the “Royal Porcelain Manufactory” during the mid-eighteenth century under the reign of Louis XV, the Sèvres Porcelain Manufactory needs little introduction as one of Europe’s most innovative and influential porcelain manufacturers during the eighteenth century. Eight years before Sèvres manufactured this cup and saucer in 1780, Louis XVI had become king, and the...
In the early 1890s science teacher Emily Healey was working in her laboratory in Washington D.C. when she accidently dropped a certain uranium salt into some heavy oil. When she fired this compound onto a scrap of china, the effect was a brilliantly colored surface. Many experiments with the uranium followed and Emily determined that...
In the last quarter of the nineteenth century the Greenpoint neighborhood of Brooklyn was a hub for ceramic production and home to at least a dozen major firms. The beaches of the East River offered plentiful white sand and underdeveloped land near the shore accommodated the building of large factories. These firms produced a broad...
This sumptuous red velvet with gold disks embodies what we can learn from textiles by looking, comparing, deconstructing, reconstructing, and then interpreting our observations. Milton Sonday, my predecessor in the Textiles department at the Cooper-Hewitt, is a master of this methodology and has spent years employing it and teaching it to researchers and curators around...
Yesterday Design Watch Members toured the 10,500 square-foot library branch in Battery Park City, New York Public Library’s ‘greenest’ location. NYPL wanted a forward-looking design to emphasize their commitment to the 21st century. The bright and open spaces create a welcoming sense of community, while the design of everything from the furniture to shelving and...
