Author: Susan Teichman

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The Universality of the Immigrant Experience
This brooch from Esther Knobel’s Immigrant series expresses the artist’s playful side. The brooch features colorful figures, a circus performer and an ancient emperor, both cut from tin boxes of Chinese tea that Knobel found in an old shop on Jaffe Street in Jerusalem. The figures themselves serve as a metaphor for an immigrant, arriving...
Design that Predicts the Future
This Predicta Princess television, produced by Philco in 1959, is a tabletop model designed for portability. The Princess, featuring the Predicta’s trademark ‘low neck’ swiveling screen, was a departure from the classic home television which was housed in a large wooden cabinet designed as a piece of furniture. This compact case allowed the television to be...
Mourning the Memory of Ill-Gotten Gains
This reliquary vase, created by Matt Nolen, is featured in the exhibition, The Virtue in Vice, currently on view at Cooper Hewitt. The vase was selected as a visual interpretation of greed, here defined as the acquisition of large sums of money, universally recognized as the hallmark of avarice. Though tongue-in-cheek, Nolen’s reliquary pointedly illustrates...
Buttons – An Expression of Curiosity
This button, from a set of nine, offers the viewer a chance to peek into the age of Enlightenment, a period of time when the human mind was breaking free from the constraints of the Church and the limitations of the Middle Ages. The Renaissance, primarily spanning the fifteenth through sixteenth centuries, is often thought...
Souvenirs of the Grand Tour
This jewelry parure, or suite, is indicative of a custom that was unique to its time and class. The Grand Tour was a traditional trip taken by upper class young men and women, with the goal of exposing them to the artistic riches of France and Italy, thereby completing their education. These long sojourns became...
Tools for Independent Living
The cutlery in this tableware set, designed by RFSU Rehab for Ergonomi Design Gruppen, is comprised of black plastic handles and stainless steel implements. The significance of design for the human condition cannot be understated and this tableware demonstrates the value of looking beyond aesthetics, to consider tools as objects that can enable greater independence...
Flowing Form Blends the Man-Made with the Organic
The Enignum Free Form Chair by Joseph Walsh curves, swirls and ripples in a manner that is reminiscent of furniture from the Art Nouveau period, yet it is contemporary in its overall aesthetic. Joseph Walsh, a self-taught designer and builder, started working with wood at the age of eight, and honed both his woodworking skill...
The Re-creation of Repoussé, A New Technique by Michael Izrael Galmer
Michael Izrael Galmer was born in 1947 in the former Soviet Union, living there through much of the Cold War. Despite the difficulty of these years, Galmer attended Moscow University, earning a Ph.D. in physics while pursuing his interests in drawing, painting and sculpture, looking to nature for inspiration. As a student, he did not...
A Glass Palace Fit For A Bird
This beautiful birdcage comprised of glass, brass and plexiglass was designed by Charles Lin Tissot. Although best known for his domestic glassware designed for Steuben, this birdcage from the Glass Gardens collection is an escape to a realm of fantasy. This birdcage was produced during the years that Tissot collaborated with the Venini glassworks in...