Author: Cabelle Ahn

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View of a masquerade in a fantastical hall
Let’s Dance!
Dancers in outrageous costumes and masks mingle in a lavish interior. This finished drawing likely depicts a Parisian vauxhall, which were public entertainment spaces, often set in, or near, pleasure gardens. They were first popularized in seventeenth-century England, and became fashionable in France in the late 1760s with the construction of the Colisée (The French...
Imaginary view of a prison interior
The Interior of Nightmares
Prison design has been a topic of debate and a site for innovation, even in the eighteenth century. This etching is Plate 14 from a series of imaginary prison interiors designed by the Roman architect, designer, and print maker, Giovanni Battista Piranesi (1720- 1778). This print is both an exploration of the limits of the...
Drawing showing female personification of Truth and Fame on a spandrel
Between Fame and Truth
This drawing is a design for a spandrel, the roughly triangular space between the left or right exterior curve of an arch, by the French academician and painter François Boucher.  The drawing is executed with black chalk, pen, brown ink and wash and represents the personification of truth and fame honoring Louis XV. In the...
Print showing two elaborate tureens on either side of a rococo centerpiece
Surf & Turf: A Silver Tureen for a Duke
Eighteenth-century meal services were elaborate affairs, as exemplified in this print showing tureens and a table center piece designed by Juste-Aurèle Meissonnier for Evelyn Pierrepont, Duke of Kingston-upon-Hull in the 1730s. Meissonnier worked for Louis XV, becoming  orfèvre du roi (goldsmith to the king) in 1724. This engraving is plate 115 in folio 72 of...
For Liberty, Equality, and the Metric System
The infamous Bastille prison was demolished in 1789, in the first year of the French Revolution, an event that had great political as well as artistic consequences. This pen and wash drawing is a design for a monument intended for the Place de la Bastille following the destruction of the prison. The design has been...
Cartouche with a papal crown and emblems of death
A Papal Graveyard
This is a design for a cartouche by the French académician, ornemaniste, and painter Jacques de Lajoüe (1687- 1761). It was etched by Gabriel Huquier as plate 4 in his Second book of Cartouches (Deuxième livre de Cartouches), which was published in 1734 (as established by Roland Michel). The ascribed date locates this at a...
Elevation drawing of an opulent bedroom in the Hotel de Soubise, Paris
A Princely Bedroom
The Hôtel de Soubise is a familiar sight for many researchers of French history. Located at 60 rue des Francs-Bourgeois in the 3rd Arrondissement, the building is now used as one of the main branches of the French National Archives. This drawing after the French architect Germain Boffrand  (1667- 1754) shows an elevation of the...
In this monumental scheme, the Maréchal's former wife and son (each of whom had predeceased him), flank the standing Maréchal, dressed in classical armor. The Maréchal gestures towards his wife, who stoops to greet him at the doorway (surmounted by family crest and pair of lions) of the family mausoleum; his son (also in classical military garb) kneels and kisses his father's left hand. The angel of death, holding a scythe, hovers above. Smoke emanates from censors on either side of the central group.
Behind Death’s Door: Augustin Pajou’s Tomb Design
This highly finished drawing is a design for a tomb by the French academician and sculptor Augustin Pajou (1730-1809). Dated to 1761, the drawing is executed with pen and wash and heightened with white gouache, and is signed and dated by the artist in the lower right corner. This tomb design is an innovative composition...
Room with table that has legs made of lions. Helmets, shields, swords and other trappings of war decorate the room’s interior and exterior.
Designing with in(Tent): Percier, Fontaine, and Empire Style
This etching presents a view of the Salle du Conseil (Council chamber) at Château de Malmaison, the residence of Napoleon Bonaparte and his wife, Joséphine, from 1799. It is published as plate 55 in Recueil de decorations intérieures (Collection of Interior Decorations) an ornament publication produced by Pierre-François-Léonard Fontaine (1762–1853), Napoleon’s chief architect, and his...