From the moment Massimo Vignelli started his career in Italy in the mid-1950s, he forged a rigorous philosophy that transformed the international language of design for print, products, and environments. Over the decades, debates about design’s cultural function bubbled and boiled around him. Confronting the upheavals of Pop, post-modernism, deconstruction, and the digital age, Massimo … Continue reading Remembering Massimo Vignelli (1931-2014)