There is no shortage of practical objects in the 2010 Triennial. You will see everything from noble solutions for global issues, to networking sites that ensure our most mundane thoughts never go unpublished
Why Design Now, Triennial, Exhibition, pratical, objects, Dunne + Raby, moral, social, implications, technology, Risk Watch, political, stability, provocative, critical, humor, absurdity, discussion |
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Joe Gebbia is a San Francisco-based industrial designer and self-described “designtrepreneur,” as well as founding partner of the green materials consultancy Ecolect.
Joe Gebbia, Industrial Designer, Ecolect, sustainable, practices, gap, reliable, Information, consistent, standards, evaluation, assessment, materials, manufacturers, Product Nutrition Label, sustainability, index, lifecycle, Life Cycle Assessment, LCA, footprint, verifications, qualitative, USDA nutrition label, context, optimize, transparent, Europe, GreenBox, subscription, inspiration, Why Design Now, Triennial, Exhibition |
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Joe Gebbia is a San Francisco-based industrial designer and self-described “designtrepreneur,” as well as founding partner of the green materials consultancy Ecolect.
Joe Gebbia, Industrial Designer, Ecolect, sustainable, practices, gap, reliable, Information, consistent, standards, evaluation, assessment, materials, manufacturers, Product Nutrition Label, sustainability, index, lifecycle, Life Cycle Assessment, LCA, footprint, verifications, qualitative, USDA nutrition label, context, optimize, transparent, Europe, GreenBox, subscription, inspiration, Why Design Now, Triennial, Exhibition |
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Over the next two weeks on the Cooper-Hewitt Design Blog, students from an interdisciplinary graduate-level course on the Triennial taught by the Triennial curatorial team blog their impressions and inspirations of the current exhibition,‘Why Design Now?’.
Why Design Now, Triennial, Exhibition, death, mortality, Capsula Mundi, Anna Citelli, Raoul Bretzel, coffin, biodegradable, cornstarch, plastic, tree, eco-burial, cremation, ashes, Nadine Jarvis, bird-feeder, mold, materials |
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The PSA’s have been espousing “The More You Know” for two decades, and the designers in this year’s Triennial agree. Some of their most innovative designs are about becoming a little more aware of our nasty consumption habits.
Why Design Now, Triennial, Exhibition, energy, power, consumption, usage, awareness, tracking, Interactive Institute, Power Aware cord, Magnus Gyllenswärd, Anton Gustafsson, light, illuminate, Energy Aware Clock, Loove Broms, Karin Ehrnberger, Sara Ilstedt Hjelm, Erika Lundell, Jin Moen, watt |
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This past Spring before the Triennial opened, we taught an interdisciplinary graduate-level course offered to MA students in Cooper-Hewitt’s Decorative Arts and Design History program and MFA students in the School of Visual Arts new Design Criticism program.
Why Design Now, Triennial, Exhibition, graduate, course, interdisciplinary, MA, masters, Decorative Arts and Design History program, curating, blog posts |
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The Copenhagen Institute of Interaction Design offers a sophisticated post-experience program in interaction design, attracting students from Denmark and all over the world, as well as consulting with companies and organizations.
Copenhagen, interaction, design, interactive, Copenhagen Institute of Interaction Design, courses, education, teaching, learning, talk, context, Why Design Now, Triennial, Exhibition, Gillian Crampton Smith, Royal College of Art, Computer Related Design, CRD, products, Interactive Design Institute Ivrea, IDII, Simona Maschi |
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Trove founders Jee Levin and Randall Buck invited Cooper-Hewitt’s Design Watch Members to their environmentally responsible wallcovering atelier for a private visit.
Trove, Jee Levin, Randall Buck, wallcoverings, environmental, responsible, atelier, Design Watch, members, visit, modern, photographic, mixed-media, custom, print, waste, excess, Why Design Now, Triennial, Exhibition, Indi, Ara, acquisitions |
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The third of the grand challenges posed by Secretary Wayne Clough for the new strategic plan of the Smithsonian is explained by the sentence:
“As a steward and ambassador of cultural connections, with a presence in some 100 countries and expertise and collections that encompass the globe, we will build bridges of mutual respect, and present the diversity of world cultures and the joy of creativity with accuracy, insight, and reverence.”
challenge, Wayne Clough, smithsonian, steward, cultures, connection, countries, World, value, respect, diversity, diverse, present, creativity, international, Why Design Now, Triennial, Exhibition, why, Web, internet, Design for a LIving World, solutions, sustainable, materials, Piranesi as Designer, Piranesi, role, reform, 18th century, contemporary, Design for the Other 90%, affordable, socially responsible, community, Cynthia Smith, curator, Critical Mass, population, growth, urbanization |
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This is the second of the grand challenges posed by Secretary Wayne Clough for the new strategic plan of the Smithsonian, with the explanatory sentence:
“We will use our resources across scientific museums and centers to significantly advance our knowledge and understanding of life on earth, respond to the growing threat of environmental change, and sustain human well-being.”
challenge, Wayne Clough, smithsonian, resources, sustain, implications, how, questions, respond, experiences, people, bio, biodiverse, nano, technology, social, Tony Dunne, Fiona Raby, Design Interactions, Royal College of Art, environment, change, communicate, holistic, Tangible Earth, project, digital, globe, installation, shinichi takemura, pragmatic, sustainable, materials, recycling, collaborate, Why Design Now, Triennial, Exhibition, World, planet, international, themes |
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