At the end of the introduction to the Multiple Choice exhibition, the curator reflects that, “as contemporary design industries move to open-sourcing and electronic formats for the marketing of their products, physical samples may soon become obsolete.”
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A multitude of schools are at the forefront of devising low cost innovations around the world, these are only a few of the examples of initiatives and projects underway. Designmatters at Art Center College of Design develops a multi-component design solution for a mobile clinic in Kenya. DesignMatters, Art Center College of Design, mobile clinic, Kenya, camel, packaging, refrigeration, solar power, health education, culturally appropriate information, nomad, bike, bicycles, teams, Earth Institute, Columbia University, Bamboo Bike Project, bamboo, materials, sustainable, transport, rural, poor, developing countries, access, healthcare, market, Harvard University, SE Lab, peer support, participation, Ashoka, Bill Drayton, Grameen bank, Muhammad Yunus, Workshop, Social Entrepreneurship, US, international, MIT, Massachusetts Institute of Technology, D Lab, needs, low cost, affordable, inexpensive, ecological, adaptable, technological, Pratt Design, Incubator for Sustainable/Social Entreprise, Norway, Design without Borders, partnership, collaboration, Guatemala, Universidad Rafael Landívar, Uganda, Makerere University, local, product development |
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On April 19, Robin Petravic and Catherine Bailey spoke here at Cooper-Hewitt, National Design Museum about their work as owners of the legendary California pottery maker Heath, founded by Edith Heath in the mid-1940s. Their presentation had everyone thinking about the role of craft in manufacturing. Robin Petravic, Catherine Bailey, Heath, ceramics, pottery, Edith Head, presentation, role, craft, manufacturing, value, production, quality, product, local, social, cultural, rewards, community, cad, computer-aided design, tools, handcrafted, commitment, environmental, sustainable, business practices |
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