Exhibition

Why Design Now?: Medellín, Colombia


Why? A team of architects and urban planners, social workers and citizens has transformed Medellín, Colombia, from the most violent city in the world into a community whose architecture carries a powerful message of social inclusion. Public buildings, parks, libraries, schools, and museums were inserted in the most desperate neighborhoods to provide crucial public services. The Orquideorama, an orchid canopy in the Botanical Gardens, exemplifies the citys renaissance.
Medellin, Colombia, collaboration, transformation, social inclusion, Orquideorama, Why Design Now, Exhibition

Why Design Now?: IF Mode Folding Bicycle


Why? Most folding bicycles are heavy and difficult to collapse. Conceived as portable luggage, the IF Mode is made of lightweight materials and eliminates oily chains, complex tubes, hidden dirt traps, and much of the clutter of conventional bicycles. As mobility systems become more interconnected, portable, folding designs like this will facilitate transfers between different modes of transportation.
IF Mode folding bicycle, portable, lightweight, materials, Why Design Now, Exhibition

Why Design Now?: Vault201


Why? Preindustrial construction methods can provide fundamental lessons about sustainable design and environmental impact today. In this site-specific installation, thin tile vaults stretching across large spaces without formwork is part of a 700-year-old construction method that is energy-efficient, utilizes local materials, and achieves high structural strength. All of these factors have important applications in the developing world, where low-cost construction and durability are model standards for any building project.
Vault 201, MIT, construction, methods, sustainable design, environmental impact, materials, developing world, applications, low cost, Why Design Now, Exhibition

Why Design Now?: Solar rechargeable battery lanterns


Why? In most rural areas of the developing world, people rely on fuels such as kerosene that are dangerous and pose serious health problems. The Solar-Rechargeable lamp is both a safe, electrical lighting alternative and it reduces greenhouse gases. It is also a service-oriented solution for rural electrification: villagers rent these portable, rechargeable lanterns from central solar charging stations.
sunlabob, solar, rechargeable, battery, lanterns, portable, developing world, Why Design Now, Exhibition

Why Design Now?: Cabbage Chair


Why? Made from reclaimed materials, the Cabbage chair is a compact roll of paper that the user opens up and peels back, layer by layer, to create a soft enclosure for the body, requiring no finishing, assembly, or hardware. Resins added to the paper during the production process give it strength and memory, while the pleats make the paper springy and elastic.
Cabbage Chair, reclaimed materials, paper, no assembly, Why Design Now, Exhibition

Why Design Now?: Mapungubwe National Park Interpretive Center


Why? Preindustrial construction methods can provide fundamental lessons about sustainable design and environmental impact today. In this site-specific installation, thin tile vaults stretching across large spaces without formwork is part of a 700-year-old construction method that is energy-efficient, utilizes local materials, and achieves high structural strength. All of these factors have important applications in the developing world, where low-cost construction and durability are model standards for any building project.
Mapungubwe National Park Interpretive Center, low cost, construction, durability, developing world, application, Why Design Now, Exhibition

Why Design Now?: E/S Orcelle cargo carrier


Why? Oceangoing ships present significant health, pollution, and efficiency challenges. The concept vessel E/S Orcelle is designed to be propelled without oil. Made of lightweight materials, it relies on energy sources obtained at sea—solar energy collected through photovoltaic panels in the sails, wind energy obtained through propulsion sails, and wave energy from fins, which can be transformed into hydrogen, electricity, or mechanical energy.
E/S Orcelle, cargo, carrier, ship, shipping, lightweight, materials, renewable energy, energy sources, carbon, emissions, reduction, Why Design Now, Triennial, Exhibition

Why Design Now?: Contour Crafting


Why? Contour Crafting is a construction technology that potentially reduces energy use and emissions by using a rapid-prototype or 3-D printing process to fabricate large components. Comprised of robotic arms and extrusion nozzles, a computer-controlled gantry system moves the nozzle back and forth, squeezing out layers of concrete or other material to fabricate a form. The ultimate goal is to print a house in a day while drastically reducing material and energy consumption.
Contour Crafting, Center for Rapid Automated Fabrication Technologies, construction, consumption, materials, energy, Why Design Now, Exhibition

Set in Style: Patrick Jouin


An interview with the designer of the exhibit, Patrick Jouin. Patrick is a partner at Jouin Manku, a design firm based in Paris, France.
Set in Style, Exhibition, Van Cleef & Arpels, jewelry, Patrick Jouin, Jouin Manku, Celestial Aeon Project, Antony Raijekov

Set in Style: Gallery Tour with Patrick Jouin


Join Patrick Jouin, installation designer for Set In Style: The Jewelry of Van Cleef & Arpels, for a tour of this stunning exhibition from a behind the scenes perspective.
Set in Style, Exhibition, gallery tour, Van Cleef & Arpels, Patrick Jouin, manku, behind the scenes, installation, sound design, Carnegie mansion

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