color theory

Good Vibrations

Stare into the electric blue shades of this woman’s sunglasses and what do you see?  Even if you know what you are looking for, the blue letterforms come together to form coherent words only with sustained visual focus.  If you were to advertise a concert that you wanted people to come to, would you make it this difficult for your audience to find out about it?  Or could it be that the designer had something else in mind?
Victor Moscoso, San Francisco, The Chambers Brothers, Josef Albers, Herbert Matter, Yale University, Cooper Union, color theory, New York, poster, lithography, Neon Rose, Wes Wilson, Stanley Mouse, Rick Griffin, typography, graphic design

Dots, Dots, Dots

De la loi du contraste des couleurs, by French chemist Michel-Eugène Chevreul (1786-1889), is a compendium of color design principles and one of the first systematic studies of color perception. The manual is based on Chevreul’s observations and experiments when he was Director of Dyes at the Manufacture des Gobelins tapestry works in 1824. Soon after his appointment, he received complaints about the lack of intensity in the tapestry colors at the manufactory.
colors, color perception, color theory, Michel-Eugène Chevreul, books, National Design Library

The Logic and Magic of Color: An Exhibition Celebrating the Centennial Anniversary of the Cooper Union

Color, permanent collection, color perception, color theory, physics, chemistry