Porcelain

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Drawing, Design for a Surtout de Table, for State Porcelain Service of Ismail, Khedive of Egypt, 1873–76. brush and watercolor, gouache, gold paint, black ink and wash, traces of graphite or black chalk on heavy tan wove paper. Museum purchase through gift of Levy-Hermanos Foundation, Inc. and Henry W. Safran Foundation, Inc. and from Friends of Drawings and Prints and Drawings and Prints Council Funds. 2000-8-1.
Egyptomania in Egypt
Throughout the 19th century, Egypt was considered to be nominally a province of the Ottoman Empire, although both France and Britain worked to assert influence and control in the country. Isma’il Pasha was a young man when succeeded his uncle as Khedive (Viceroy) of Egypt in 1863. Isma’il presided over the country as it was...
This is a Teapot and lid. It was designed by Marek Cecula. It is dated 1991. Its medium is glazed porcelain.
Memories of Bauhaus
One would not have thought that “fragment” and “porcelain” could co-exist as happily as they do in this teapot, from Marek Cecula’s “Fragment Series”.  Why fragment? Cecula (born Poland, 1944, working in New York) writes that, in creating the “Fragment Series”, he wanted to “substitute conventional functionality into a utilitarian sculpture.” In this sense, the...
1994-117-2
Art Nouveau Dance
Like a ballerina in a pirouette, this delicate vase stands with its handles raised and reaching for each other, like graceful, slender arms. The vase’s sculptural, elongated, and organic form epitomizes Art Nouveau. It is also one for which the Netherlandish Rozenburg Pottery and Porcelain Factory  was particularly well known. Rozenburg produced these works of...
2008-42-6
A Piece of Cake
Covered with Franz von Zülow’s idiosyncratic decoration, this cake serving plate (part of a breakfast set in the Cooper Hewitt’s collection) demonstrates the Viennese artist and designer’s interest in fantasy and fairy tales. Knights on horseback move through a medieval village in the foreground, accompanied by a lively figure blowing a trumpet. The movement of...
1931-40-37
An Inherited Innovation
This plate was designed by Joseph-Theodore Deck, who worked at Sèvres as a designer before eventually becoming director in 1887 until his death in 1891. Prior to becoming director, Deck was part of the Council of Improvement and helped to establish aesthetic and technical directives for the manufactory at the end of the nineteenth century....
Square with greenish-blue ground having white decoration consisting of a kneeling woman wearing conical hat, long robe, watering a plant in classical vase at left, from which a cherub rises.
Watering Cupid
This pâte-sur-pâte glazed porcelain plaque, made by Mintons Ltd. in about 1909, reflects the humor and creativity of its designer, Marc Louis Emanuel Solon (1835-1913). Pâte-sur-pâte is a complex, time-consuming technique, which requires the designer to apply successive thin layers of liquid clay onto a tinted clay body in order to create a design. The...
Ornament print showing 12 designs for a cup
Hot Chocolate, I Love You So
Hot chocolate has been a fashionable drink since the eighteenth century, and the popularization of the beverage also saw the rise of new designs related to its consumption and preparation. This ornament print by the French designer and printmaker Jean-Baptiste Fay shows twelve different designs for chocolate cups. Each cup is decorated with a diverse...
Figure of small long-haired dog, sitting, head slightly turned; glazed in white with brown patches.
A Royal Menagerie … and Then Some
When the Meissen porcelain manufactury began its operations in 1710, its focus was on producing fine dinner services and traditional functional decorative objects, such as vases. Meissen’s reputation and passion for the modeling of elaborate porcelain figures did not arise until two decades or so later, thanks to King Augustus of Saxony who, enthralled by...
Oval tray with raised and everted rim. Decorated with outer border of interlaced triangular geometric motifs in lapis blue against brown background, surrounded by thin gold rims; then a border of tooled gilding with 16 roundels painted in polychrome of exotic birds, alternating with the smaller roundels with butterflies. Around central oval a wide band of trompe-l'oeil coffering. Center painted with arrangement of seashells, coral, and pearls against a faux marble background.
Like Father, Like Son
This oval tray represents the unique collaborative effort between Alexandre Brongniart, the director of Sèvres appointed in 1800, and his father, the designer Alexandre-Théodore Brongniart. The younger Brongniart’s passion for the natural world is reflected by the scientific precision of the biological species represented in finely painted enamel. Small roundels of exotic birds and butterflies...