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1917-4-296-a
Frederic Church Collection featured at the Met’s new American wing
Frederic Edwin Church, Sunset across the Hudson Valley, 1870. object number 1917-4-582-a Cooper-Hewitt, National Design Museum’s collection of over 2,000 oil sketches and graphite drawings by Frederic Church was mentioned recently in the New York Times in connection with the reopening of the Metropolitan Museum of Art’s American Wing. According to the Met’s Curator of...
1943-51- Flynn 004
Collection Spotlight: Whitney Warren
Whitney Warren (American, 1864–1943). Tile Floor, Diane de Poitiers Bedroom, Château de Chaumont, June 12, 1888. Brush and watercolor, graphite on off-white wove paper tipped into binding with fabric, 12 5/8 × 9 3/4 in. (320 × 248 mm), irregular. Cooper-Hewitt, National Design Museum, Smithsonian Institution, Gift of Mrs. William Greenough, 1943-51-216 Cooper-Hewitt’s Drawings, Prints,...
355
Positively Prints
Members were treated to a “Curator’s Breakfast” – a preview of the IFPDA Print Fair – with Cooper-Hewitt’s Dr. Gail Davidson, Curator and Head of the Drawings, Prints, and Graphic Design Department. Among the many stops, the group visited Carl Solway Gallery with printed works by John Cage, Gallerie St. Etienne for wood-cut prints, The...
196
Ted Muehling’s Choice
Ted Muehling Expounds Ted hosted a group of Cooper-Hewitt members at his studio and store in SoHo this week, as you can see from the Monday at Muehling’s post, giving them a peek at his wonderfully creative environment full of glass, emotive sculpture and creatures from the natural world. He is also the guest curator...
133
Meier 75
Personally, I am partial to Richard Meier’s approach to architecture. According to Meier, a building is an act of “willful artificiality;” a “man-made” spatial construct that functions as a receptacle for experiencing the world of nature. Meier’s white walls act as nature’s film screen capturing ever-changing patterns of reflected color and light. While Meier credits...