In 1967, the composer and musician Philip Glass formed the Philip Glass ensemble in New York, a group of seven musicians playing keyboards and woodwinds, amplified through a mixer. Glass previously studied at the University of Chicago, Julliard and in Paris with Nadia Boulanger, but found himself frustrated with modern music. This dissatisfaction led him...

To celebrate the opening of Saturated: The Allure and Science of Color (May 11, 2018-January 13, 2019), Object of the Day this month will feature colorful objects from the exhibition. Niklaus Troxler (Swiss, b. 1947) designed this boldly colored poster in 2005 for the annual Willisau Jazz Festival, an event he co-founded in 1975.  Here, Troxler engages...

The 1967 “Summer of Love” in San Francisco ushered in a wave of music lovers, rock bands, and graphic artists. Psychedelia drifted through the air and inspired the creation of free-form, vibrant compositions in all creative fields. Concert posters became the relics of the San Francisco music scene, created to promote music and dance venues...

Posters produced in the 1970s for The Fillmore, the legendary San Francisco music venue made famous by industry pioneer Bill Graham, were renowned for their psychedelic styling. Between 1967 and 1971, Tea Lautrec Litho, a specialist printing house operated by Levon Mosgofian, produced over 200 posters advertising Graham’s constantly shifting roster of weekly performances. The...

In 1975 Swiss graphic designer Niklaus Troxler founded the Willisau Jazz Festival, which he directed until 2009. His series of posters for the festival represents an ongoing study in design process, as Troxler explored diverse means to create letterforms outside the norms of typography and typefaces. As variations on a theme, the posters reflect on...