Memphis

How To: Mix Prints


Open an interior decoration magazine, peruse a sartorial blog, or catch-up with the latest fashion on television, and you’ll know mixing prints has been the trend for the last few seasons.  Endorsed as a risky and intimidating choice, it is often accompanied by a number of rules and guidelines. English-born industrial designer George J. Sowden (b. 1942) is renowned for his use of patterns and prints.
George J. Sowden, Postmodernism, Memphis, Italy, prints, screenprint, interior, furniture

The spirit of the age


In 2011, Italian designer Michele de Lucchi (b. 1951) reflected in an interview, “design is truly a kind of witness to history. Design documents the spirit of the age.” [1]  His 1981 drawing of Two Designs for Tables (and Three Designs for Tables) is an example of how design records its historical and cultural context, and reflects the nature of that time.
Michele de Lucchi, furniture design, table, drawing, Postmodernism, Memphis, Studio Alchimia

Happy Birthday Ettore


Arabia Felix was quite unique for the time in which it was created as it is nearly 10 feet in length and lacks a vertical repeat. The design contains cloud-like shapes totally void of color against a printed background that shades from a darker spotted blue at the top to white at the bottom. The density of the cloud shapes is greatest where the background is darkest, becoming less dense as the background color decreases, disappearing totally where the background ceases to have color towards the bottom of the wallpaper.
wallpaper, Memphis, Ettore Sottsass

Memphis/Milano


This is the first major exhibition of Memphis furniture, ceramics, glassware, and drawings in New York City. Established in 1981 in Milan, Memphis is a design movement that defies the rules of classic, functional design. Works are on view from an international set of Memphis designers and architects, including Ettore Sottsass, Matteo Thun, Marco Zanini, Gerard Taylor, Martine Bedin, Michele de Lucchi, George Sowden, Andrea Branzi, Aldo Cibic, and Peter Shire. The Cooper-Hewitt National Design Museum is the final stop on this traveling exhibition's tour.
Memphis, drawings, furniture design, ceramics, glassware, Italy, 1980s, 20th century, traveling exhibitions