flowers

May Flowers Last summer, a dozen members of my family and I gathered in a Cooper-Hewitt study room to see this undated gouache of chrysanthemums and other botanical studies by Baltimore-born textile designer Sophia L. Crownfield (1862-1929). Sophia L. Crownfield, silk, flowers, textile design
Harlem Focus \| Garden Design: The Art of Color, Variety and Form Join the curator and gardeners from the Central Park Conservancy for a talk about the landscape design of the Central Park Conservatory Gardens and how it compliments and contrasts with Frederick Law Olmsted's overall design for Central Park. Learn about how the elements of form and color are rethought and refreshed each year within the garden's formal planting structure. Hear how the redesign strategies offer the public new and unique views from season to season. Harlem, Central Park, gardens, flowers, landscape design
Bluette by Atelier Martine Bluette is a textile by an unknown designer made in the design school Atelier Martine. The school was founded by Paul Poiret (1879 – 1944), a celebrated Parisian couturier known for exotic fashions inspired by the Middle East and Asia. Named for his daughter, Atelier Martine embraced the notion of an unstudied, instinctive creativity. Poiret opened Atelier Martine in 1912 following a European tour where he was greatly impressed by the printed textiles of the Wiener Werkstätte of Vienna. textile, Atelier Martine, Paul Poiret, Wiener Werkstätte, Louis Rorimer, flowers
Flower Power Love in Bloom is a beautifully designed wallpaper that speaks of the period during which it was made. The differing shades of taupe printed in transparent colors on the reflective Mylar foil ground create a great sense of depth. Produced in 1968, it speaks very strongly of the Flower Power movement, of peace in turbulent times, as well as the use of new materials. wallpaper, Mylar, screenprint, peace, floral, flowers
The Queen of Roses Above all flowers, Queen Marie Antoinette prized roses. She was often painted with roses in hand or displayed in her hair. Certain portraits—as well as this mirror design from 1781–90—featured rose garlands as decorative motifs. Though roses were her favorite, all flowers were of great importance to the Queen, both wild and cultivated. Marie-Antoinette, Richard de Lalande, mirror, rose, flowers, garland, Léon Decloux, monogram, drawing, graphite, France, royalty, Versailles
Flora Danica and the Heritage of Danish Porcelain, 1765-1990 This exhibition, commemorating the 200th anniversary of the Royal Danish Flora Danica pattern, features 175 pieces—the largest collection ever assembled outside Denmark. Shaped, painted, and styled porcelain tea services, tureens, vases, and figurines are on view, each featuring a different plant native to Denmark taken from the original, richly-illustrated Flora Danica botanical atlas. Porcelain, Danish, Denmark, tea service, flowers, botany, exhibitions