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Electrification for a Better Biscuit


By the 1930s, the vast majority of American urban dwellers had access to electricity in their homes and businesses.  But those in impoverished rural areas were often not serviced by private electric companies, who believed that it was not cost-effective for them to invest in extending power lines into areas of the country that would generate only a handful of new customers.
Lester Beall, poster, graphic design, electricity, advertising, cooking, domestic life, dots, screenprint, patriotism, New Deal

A Richly Fabled Romance


The marriage between art and music has always been a richly fabled romance.  In the modern era, graphic designers have had a particular knack for fusing these two mediums by imbibing their personal passion for music into their work.  Consider for instance Reid Miles typographic album covers for the jazz label Blue Note in the 1950s or Wes Wilson’s psychedelic concert posters for Bill Graham presents in the 1960s. Each designer’s individual taste helped signify the way we see music.
Niklaus Troxler, graphic design, jazz, music, poster, Wes Wilson, Reid Miles, Ellery Eskelin Trio, circles, dots