Dorothy Liebes

At the 1939 Golden Gate International Exposition

California textile artist Lydia van Gelder (1911-2012) created this piece for the 1939 Golden Gate International Exposition (GGIE) in San Francisco. Having taken up weaving only several years before, her inclusion in the GGIE marks the beginning of a distinguished career as both an exhibiting artist and textile arts educator. Best known now for her contributions to the fiber art movement of the 1960s and 70's, it also serves as a unique reminder of her early engagement with the modernist aesthetics championed at the Exposition.
Lydia van Gelder, Golden Gate International Exposition, Dorothy Liebes

From the Loom to the Wall

In 1947 the Cooper Union received a sample book featuring the new wallpaper collection designed by Dorothy Liebes for United Wallpapers. The book contains eight different patterns with each shown in multiple colorways. The patterns are all based on the hand-loomed woven fabrics for which Liebes had become known. She introduced color and texture into her fabrics and incorporated unexpected materials such as rawhide, cellophane, bamboo strips and metal threads.
wallpaper, sample book, Dorothy Liebes, loom, embossed, textile, imitation

Color in Combination

Weaver and textile designer Dorothy Liebes had twin obsessions: texture and color, both exemplified by this sample from the museum’s collection.
Dorothy Liebes, weaving, Color, texture

Enhancing the View

Weaver and designer Dorothy Liebes owed much of her success to her ability to create textiles that complemented and enhanced mid-century modern architecture. Using windows to bring the outside in was an integral part of the period's new design for living. Multiple large windows became a standard feature in new homes, often replacing fireplaces as the focal point of the main room. 
Dorothy Liebes, weaving, modern architecture, window treatments, interiors, textiles