cooper hewitt blog
Start the 2022 Year of Glass with a modern glassmaker inspired by ancient Roman models.
A collecting initiative, launched in 2020, aims to help Cooper Hewitt to acquire objects that shape and define our time.
For nearly twenty years between the two world wars, E. McKnight Kauffer, an American, was the most celebrated graphic designer in England. He was best known for his eye-catching posters, but his book covers and illustrations, graphic identities, carpets, stage sets, costumes, and ephemera were also among the most arresting of his era. Kauffer believed fervently that modern art should move beyond the walls of museums and galleries to infiltrate all elements of daily life.
This article was written by Jono Brandel, new media artist and team lead for Writing with Open Access. It is the first in a series of Design Retrospectives on the prototypes commissioned by Cooper Hewitt’s Interaction Lab as part of Activating Smithsonian Open Access in Spring of 2021. Introduction It was a series of interviews...
On October 7, 1976, Cooper Hewitt opened, joining the Smithsonian and becoming the nation’s design museum. Learn how that came to be.
Activating Smithsonian Open Access (ASOA) was born from a conversation that took place in June of 2020, while much of the world was locked down. Millions of jobs evaporated overnight, and those working in the creative and gig economies watched incomes, projects, and years of hard-won programmatic gains in the arts and humanities vanish without...
Building on the work presented in Tools and Approaches for Transforming Museum Experience, Cooper Hewitt’s Interaction Lab will offer a workshop series this fall 2021 for two separate cohorts of 20 museum practitioners and leaders across visitor experience-related disciplines who are currently working on transformative museum experience projects. The definition of a transformative museum experience...
When Salome requests a severed head on a platter, be careful what you wish for. Or write. Or draw. In 1894, Oscar Wilde and Aubrey Beardsley—both considered enfants terribles of Victorian England for their provocative work and lifestyles—produced a printed edition of Wilde’s play Salome. Wilde’s psychological centralization on the character of Salome and Beardsley’s...
