Sampler, 1805, Concord, Massachusetts, USA, silk embroidery stitches on linen foundation, Bequest of Mrs. Henry E. Coe, 1941-69-86.
House And Trees Within A Border
Betsy Adams’s sampler is part of a large group of related examples worked from about 1790 until at least 1805 in Boston or nearby towns in Middlesex County. Typical characteristics of these samplers are deeply arcaded borders surrounding a central panel comprising an alphabet, verse, and pictorial elements within a saw-tooth border. The pictorial elements...
254543_add741158deee0bb_b[1]
Marilyn Monroe on a Roll, Literally
Featuring the familiar image of Marilyn Monroe this wallpaper is drama on a roll, and another recent acquisition to the museum’s permanent collection. Working with the Warhol Foundation, Flavor Paper was able to sort through original Warhol documents to find inspiration for an exciting collection of wallpapers, making Marilyn available as a wallpaper for the...
2016-5-12
The Modern Chair. Redefined.
The Embryo Chair was designed in 1988 by Australian designer Marc Newson, and has come to be seen as a signature object of his organic style. The chair is not only stylish and provocative in appearance, its one-piece form and simple legs belie a sophisticated construction that is the result of Newson’s technical accomplishment early...
View across a meadow toward a grotto in the Boboli Gardens which features a fountain. The central portal is flanked by sculptures. At left a wall and the corridor leading to the Uffizi. Beneath it, a tree and bench with a figure. At right, a wall with a view of houses in the distance. A group of figures approaches at extreme right.
Grotto-esque
In the eighteenth century, many Italian artists produced views of popular tourist destinations to sell as souvenirs to travelers on the Grand Tour. This drawing by an unknown artist shows the Grotta Grande in the Boboli Gardens of Florence. Visible within the grotto’s chambers are Paris and Helena, sculpted in 1560 by Vincenzo di Rafaello...
Sample, 1930–58, USA, wool and rayon twill weave, 1958-142-49
Helen, Boris and Cromwell
This funky little chartreuse sample seems perfectly suited for an American mid-century interior. Woven by Helen Kroll Kramer between 1930-1958, it is composed of wool and rayon with contrasting bands of lime and pea green. Kramer is renowned as a successful 20th century artist and purveyor of handwoven textiles for upholstery and drapery. With her...
1951-2- Matt Flynn 020
Flower Power
This spring is extra-special at the Cooper Hewitt because the garden is completely renovated and once again open to anyone who needs a nice place to sit on a sunny afternoon. In anticipation of fun times and fair weather, we wanted to feature this vibrant floral wallpaper that presents its own take on 1960s “flower power.”...
Hanging, 1955–1975, California, USA, silk and synthetic metallic double cloth, Gift of Mr. Eric and Mrs. Sylvia Elsesser, The Trude Guermonprez Archives, 1993-121-25
Layered and Textured Grid
Trude Guermonprez was a much-admired weaver and professor of textile arts at California College of Art. She was trained at the School of Fine and Applied Arts in Halle, Germany, sometimes called the “little Bauhaus,” as many of its faculty had studied or taught there. After World War II, she made her way to California...
The ad shows blocks of color depicting the earth and a T cutting down through the earth simulating their product. The T is also the first letter of an equation. Under the equation is a line depicting a wave in the earth.
Elaine Lustig Cohen’s World of Inspiration
At first glance, this graphic field of squares looks almost like an abstract painting. Although this advertisement targeted scientists, designer Elaine Lustig Cohen captures the attention of laypeople and experts alike. Created in 1958 for the oilfield services company Schulberger, the ad promotes the company’s Sonic Log, a device for the identification of soil properties....
1991-6-1
Not Your Grandmother’s Chippendale Chair
Since the publication of his 1966 treatise, Complexity and Contradiction in Architecture, architect Robert Venturi has been considered one of the founders of Postmodernism. Venturi challenged the modernist prejudice against ornament and traditional decorative styles, and questioned the maxim “form follows function.” The Chippendale Chair is one of a series of nine chairs in historical styles he...