Author: Rebekah Pollock

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CHSDM-1920-10-1MattFlynn
Swiss Style
During the nineteenth century, many European nations endeavored to define their cultural identities and to establish national histories. This romantic nationalism was characterized by a nostalgia that fueled an interest in historic folk customs. Peasants were commonly viewed as synonymous with nationhood and peasant costumes were the subject of interest and national pride. This fan,...
1952-161-198
Fanning the Flame of Love
This brisé fan (one consisting of rigid sticks joined with a ribbon) illustrates a story from ancient Greek mythology. Dionysus, the god of wine, finds Ariadne on the Island of Naxos. Ariadne, the daughter of King Minos of Crete, has fled away with Theseus, slayer of the Minotaur, and been deserted by him on the...
19-- Matt Flynn 002
Studied Flirtation
This fan depicts a scene from Roman mythology in which Vertumnus, god of orchards, seduces the nymph Pomona, steward of fruit trees, by assuming the guise of an old woman. The story is best known from Ovid’s Metamorphoses, a collection of myths centered around the recurring themes of love and transformation. Such tales were apt...
sutnar 1
Embodied Design
We see posters not only with our eyes but with our bodies. In this sense, we respond physically to the taut pose of the elegant athlete in Ladislav Sutnar’s 1958 poster for Addo-X. Sutnar created a bold new logotype for the Swedish office machine brand in 1956; he also designed numerous posters and advertisements for...
In the shadows of the Brooklyn bridge, homeless girl spray painting a yellow house onto her home, which is a box. On this box bubble letters, in black: THIS SIDE UP.
Crisis on the Lower East Side
During the 1980s, there was a severe housing crisis in New York City. The building of residential properties had declined during the economic depression of the preceding decade and the limited supply of affordable housing caused a sharp increase in homelessness. In neighbourhoods like the Lower East Side, absentee landlords permitted old buildings to fall...
Ovoid body tapers to thin neck, wide flat lip with turned up rim.
Glass Half Full
This distinctly shaped glass vessel, with its thin tapering neck and wide body, was specially designed for growing flowering plants in their off-season, a process known as ‘forcing bulbs’.  It is often called a hyacinth vase, after the fragrant flower commonly grown indoors. One would fill the vase with enough water that the bulb, when...
Oval tray with raised and everted rim. Decorated with outer border of interlaced triangular geometric motifs in lapis blue against brown background, surrounded by thin gold rims; then a border of tooled gilding with 16 roundels painted in polychrome of exotic birds, alternating with the smaller roundels with butterflies. Around central oval a wide band of trompe-l'oeil coffering. Center painted with arrangement of seashells, coral, and pearls against a faux marble background.
Like Father, Like Son
This oval tray represents the unique collaborative effort between Alexandre Brongniart, the director of Sèvres appointed in 1800, and his father, the designer Alexandre-Théodore Brongniart. The younger Brongniart’s passion for the natural world is reflected by the scientific precision of the biological species represented in finely painted enamel. Small roundels of exotic birds and butterflies...
Bottle-form: globular, with straight slender neck, short foot. Coated from white rim to foot with monochrome oxblood color glaze of pear skin texture.
Elusive Oxblood
The deep red glaze on this porcelain vase is derived from copper, a metal which is notoriously difficult to control under the heat of a kiln. The distinct oxblood color is created when copper is starved of its oxygen during the firing (in a smoky, oxygen reduced kiln) and re-oxidized in the cooling. The resulting...
Three tiers of fountains of glass descend from the top, set off by swags of glass drops, the blown glass stems delicately engraved; gilt lower ring with six candle arms and an upper ring connected by the glass-surrounded stem and by three chains, all of metal, the lower ring supporting a blue glass disc at the base of the stem.
The Neoclassical North
This three tiered chandelier in the form of a cascading fountain is garlanded with swags of cut glass drops. Three delicately blown baluster-shaped pieces of cobalt glass are linked by chains of gilt metal. The reserved neoclassical form and use of blue glass strongly indicate that the chandelier was made during the last quarter of the eighteenth century in...