Author: Alison Charney

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The sheet depicts a large hall with a double skylight. The ceiling and upper parts of the walls are heavily decorated with floral motifs The center of the hall is left open while its edges are occupied by tables and seated figures. A stage with playing musicians is situated against the back wall.
Dining Under the Stars
Joseph Urban’s design for the Roof Garden at the Hotel Gibson in Cincinnati, Ohio, reflects turn of the century summer-dining at its finest. Late-nineteenth century American roof gardens were inspired by European pleasure gardens, often devoted to entertainment.  New York producer, composer, and entrepreneur Rudolph Aronson is credited with not only bringing the roof garden...
Narrow flanking panel for central composition. Pearl rocaille escutcheon swings from branch of under water plant, with fish swimming about. Large conch shell at bottom.
Sea of Mystery
This design for a stained glass window of a mermaid beneath the sea was commissioned by Associated Artists (the decorating firm of Louis Comfort Tiffany, Candace Wheeler, with (at times) Samuel Colman and Lockwood de Forest) for the Manhattan home of Wells Fargo President Ashbel H. Barney at 101 East Thirty-Eighth Street.   This subject is...
Circular black silhouette paper. Foliage pattern along bottom, at top of center image are three pairs of couples in windows, and throughout central image are windows with silouettes of a variety of animals.
Noah’s Ark
In this ornate design made of cut paper, contemporary artist Ernst Oppliger depicts three pairs of couples in windows at the top of a towering structure, while the windows below contain silhouettes of many exotic animals, including elephants, giraffes, and ostriches. Silhouettes became a popular art form in the late eighteenth and early nineteenth centuries,...
View of front, side, and back of wood and blue upholstered side chair, from left to right across upper half of sheet. Plan of side chair in the lower middle of sheet, with pre-printed multiple image of chair at lower left.
A Chair for the American Family
In 1951, Danish architect and designer Finn Juhl brought Danish Modernism to forefront of American consciousness. He did so with his interior for the “Good Design” Exhibition in Chicago, as well his design for the Trusteeship Council Chamber at the UN headquarters in New York, which he completed the following year. However, Juhl’s sculptural forms,...
On black background, collegiate banners showing names of institutions in block letters: NYU, Yale, California, Navy, St. Mary, and U-N.C.
Collegiate Banners, Textile Design
There is no evidence that Tommi Parzinger’s textile design of collegiate banners was ever produced. Nevertheless, the brightly-colored red, blue, yellow and green flags speak to both the designer’s aesthetic and the time period. Throughout the postwar 1950s, as Parzinger’s career in New York took off, a wave of college spirit swept the United States....