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Textile, USA, 2014, designed by Grethe Sørensen (Danish, b. 1947) and produced by Wolf-Gordon Inc. (American), digital jacquard woven wool and nylon, Gift of Wolf-Gordon Inc., 2015-33-2.
Infinite Color
Millions of Colors, a new upholstery fabric by Danish artist Grethe Sørensen for Wolf Gordon, arose from her tapestry series of the same name. Using a basic color palette of red, green, blue, cyan, magenta, yellow, black and white theads, Sørensen used a digitally controlled loom to translate the subtle modulations of color seen in...
Hanging, 1955–1975, California, USA, silk and synthetic metallic double cloth, Gift of Mr. Eric and Mrs. Sylvia Elsesser, The Trude Guermonprez Archives, 1993-121-25
Layered and Textured Grid
Trude Guermonprez was a much-admired weaver and professor of textile arts at California College of Art. She was trained at the School of Fine and Applied Arts in Halle, Germany, sometimes called the “little Bauhaus,” as many of its faculty had studied or taught there. After World War II, she made her way to California...
Textile, early 20th century, Manchester, England for African market, cotton printed by engraved roller, Gift of Elizabeth Riefstahl, 1953-90-14
Imitation Embroidery for Export
This fabric, printed in Manchester, England for the African market, has a design which imitates the embroidered gowns worn by Hausa men in Nigera. The design of the embroideries is believed to have been influenced by men who learned the art of calligraphy from studying the Qur’an, and reflect an identification with Islam. They are...
Fragment, 1873, designed by Christopher Dresser (English, 1834–1904), jacquard woven silk and wool
Design Reform
Christopher Dresser, a disciple of Owen Jones, was an early design reformer and is considered by some to be the first industrial designer. In addition to designing wallpapers, textiles, carpets, ceramics, and metalwork for a wide variety of European and American manufacturers, he published several influential books, including The Art of Decorative Design (1862), Principles...
Textile, Crossing Colors, 2013
Crossing Colors
In tandem with her artistic practice, Sheila Hicks has been engaged with the fields of architecture, design, and textile industry for over 50 years. Crossing Colors is Hick’s latest commercial collaboration. Working with Momentum Textiles, she has created a collection of three patterned weaves (Painting Strokes, Drawing Lines, and Crossing Colors) with coordinating solids (Weaving...
Chanin sample book
A Maker’s Record
After a decade of working as a designer and stylist in Europe, Natalie Chanin traveled to her hometown of Lovelace Crossroads, Alabama, to film a documentary, Stitch, about the southern quilting tradition. Ads placed in local newspapers brought in hundreds of stitchers, some formerly employed in Alabama’s once-thriving textile industry. Chanin created the fashion and...
Sample, 1967, produced by Jack Lenor Larsen Incorporated
Colorful Curves
Jack Lenor Larsen, one of the most influential textile designers of the 20th century, is noted for his pioneering use of innovative methods and materials. Bojangles, designed for the 1967 collection The Butterflies, is made from Caprolan stretch nylon designed to conform to the rounded, organic shapes of 1960’s furniture. Larsen believed that pattern should...
Jack Lenor Larsen, Interplay
Play of Light
Architectural commissions were an important part of Jack Lenor Larsen’s work, and frequently provided the impetus for the development of new technologies. His first commission was for Lever House, designed by Gordon Bunshaft of Skidmore, Owings & Merrill. Completed in 1952, Lever House was one of the first glass curtain-wall office towers in the country....
Richard Landis and Jack Lenor Larsen, Landis II
A Team Effort
Jack Lenor Larsen collaborated with artists, designers, and craftspeople all over the world. The collaboration between Larsen and Richard Landis was unique in that the two men literally designed the face and reverse of the same fabric. Richard Landis received formal training in art and design, but was essentially self-taught as a weaver. He believed...