Amanda Kesner

Put An Owl On It

Owls are nocturnal birds that are characterized in most people’s memories as wise creatures, perched up on their branch overlooking the world’s activities; always awake, eyes never closed.  In my memory, owls are the talisman of a childhood favorite lollipop, the tootsie roll pop. The mind burning question of: “How Many Licks Does It Take To Get To The Center Of A Tootsie Pop?” The answer of course being, “The world may never know.”
owl, birds, textiles, 18th century, sewing, Portlandia, Hewitt sisters, Pinterest

Cup of Joe on the Go

This Traveling Coffee Service from the late 19th century was ahead of its time in many ways. What could be better than a little briefcase with all of the parts required to make a fresh pot of joe on the go?
coffee set, consumer, brewer, silver, ivory, France, 19th century, product design

Two Cows are Better than One

What does any of this have to do with cows? In 1966, art dealer and friend of Warhol, Ivan Karp said: “The only thing that no one deals with now these days is pastorals. My favorite subject is cows.” In 1966, Warhol silk screened this cow, twice, to actual size on a rectangular piece of wallpaper which was first exhibited at the famous Leo Castelli Gallery, in New York. He was removing the cow from its original landscape and placing it into the gallery, again imposing that art and life are synonymous.  Some critics have noted that this work commented on the treatment of cows in 19th century landscape painting or American folk art, another theory could be that he was creating another American emblem. The cow as a symbol of nourishment, economic independence, nostalgia, earth and domesticity.
Warhol, Silk Screen, printmaking, Wall paper, cows, Bob Miller

Out With the Old, In With the “Nowy”

What makes this theater new? The theater the text refers to depicts a historical landmark that represented a shift between the two World Wars and Poland’s sole source of entertainment at the time. The antithesis of the old Polski Theater, calling it the New Theater suggested a less serious, light hearted genre. The founder of New Theatre was Mieczysław Rutkowski. Throughout a twenty year time span, many directors held positions there and various dramas and concerts were performed. By the 1980’s the theater became known for its political involvement, a prime example of this being the performance staged in 1980 entitled "The Defendant:  June 1956". This political performance references the The Poznań 1956 protests, also known as Poznań 1956 uprising. The working class were protesting against communist dictatorial government and better working conditions. The protest resulted in many injuries to the Polish people and a period of political persecution.
Poznań 1956 protests, Nowy Teatr, film, performance, Warsaw, offset lithography

Wrapped up

Pojagi is a Korean ceremonial wrapping cloth used to cover gifts, protect sacred writings, hold food or carry objects in everyday life. The primary purpose of a pojagi is to respect an object and present the recipient with blessing and good will. Pojagi is still used in contemporary Korean society but it became a cultural icon in pre-modern Korea during the Chosŏn dynasty (1392-1910).
Pojagi, textiles, silk, Korea, International Quilt Study Center & Museum